Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Baba Yaga: Songs & Dances of Death is a thrilling new production, created in partnership with Beethovenfest Bonn, and given its full premiere tonight. It combines music, dance, spoken word and a specially commissioned song cycle by Elena Langer, to explore Baba Yaga, the mysterious figure from Slavic folklore, and her related female archetype, the Death-Skeleton Woman in Mussorgsky’s Songs and Dances of Death. Devised by mezzo-soprano Rowan Hellier, who is sought after both as a singer and an innovative curator, the programme includes music ranging from Dvořák to Tori Amos.
Rowan is joined by dancers Ana Dordevic and Carola Schwab and pianist Sholto Kynoch. The choreography is by Andreas Heise, who has directed work for Garsington Opera, the Salzburg Festival and Norwegian National Opera, amongst many others. His version of Winterreise with Juliane Banse was an unforgettable highlight of the 2023 Festival.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Eugene Onegin is an intimate encounter with youthful infatuation. At the same time, the opera is a powerful story about something we all experience: the passing of time, the chances we did not take – and the realization that, deep down, we are alone.
Camille Claudel: Into the Fire
Music by Jake Heggie
Libretto by Gene Scheer
German Premiere
The Radio Hour
Music by Jake Heggie
Libretto by Gene Scheer
European Premiere
The Deepest Desire: Four Meditations on Love
Music by Jake Heggie
Text by Sister Helen Prejean, CSJ
European Premiere
Camille Claudel: Into the Fire
Music by Jake Heggie
Libretto by Gene Scheer
German Premiere
The Radio Hour
Music by Jake Heggie
Libretto by Gene Scheer
European Premiere
The Deepest Desire: Four Meditations on Love
Music by Jake Heggie
Text by Sister Helen Prejean, CSJ
European Premiere
Camille Claudel: Into the Fire
Music by Jake Heggie
Libretto by Gene Scheer
German Premiere
The Radio Hour
Music by Jake Heggie
Libretto by Gene Scheer
European Premiere
The Deepest Desire: Four Meditations on Love
Music by Jake Heggie
Text by Sister Helen Prejean, CSJ
European Premiere
Britten, Handel, Mozart, Schütz, Purcell, Schubert, Wagner … Few choreographers have engaged so deeply with classical music, and opera in particular, as Andreas Heise. Frühlingsstimmen also looks beneath the surface. On the one hand, the exuberant bliss of Johann Strauss II’s waltz classic, the intoxication and beauty of awakening nature. On the other hand, doubt and skepticism: a puppet-like setting with dancers moving as if remotely controlled. And the pressing question: where do the fault lines run in a supposedly perfect world?
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Der Kaiser von Atlantis von Viktor Ullmann / Requiem d-Moll KV 626 von Wolfgang Amadeus Mozart
Ballett-Oper mit Omer Meir Wellber
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Der Kaiser von Atlantis von Viktor Ullmann / Requiem d-Moll KV 626 von Wolfgang Amadeus Mozart
Ballett-Oper mit Omer Meir Wellber
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Le nozze di Figaro (The Marriage of Figaro) is Mozart’s brilliant four-act opera buffa, with a witty libretto by Lorenzo Da Ponte. Inspired by Beaumarchais’ play La Folle Journée, ou le Mariage de Figaro, the opera had its triumphant premiere on May 1, 1786, at Vienna’s Burgtheater.
Sung in Italian, this timeless masterpiece combines sparkling comedy with moments of profound emotion, showcasing Mozart at the height of his genius.
Der Kaiser von Atlantis von Viktor Ullmann / Requiem d-Moll KV 626 von Wolfgang Amadeus Mozart
Ballett-Oper mit Omer Meir Wellber
Der Kaiser von Atlantis von Viktor Ullmann / Requiem d-Moll KV 626 von Wolfgang Amadeus Mozart
Ballett-Oper mit Omer Meir Wellber
Der Kaiser von Atlantis von Viktor Ullmann / Requiem d-Moll KV 626 von Wolfgang Amadeus Mozart
Ballett-Oper mit Omer Meir Wellber
